Metal Homophobia and the Queer Fan

“There are no women metalheads, either as performers or fans.  Unless you count fugly dyke mongoloids.”  That’s what I read in an online forum for metal fans the first time I searched “lesbian heavy metal.”  I thought over myriad replies, everything from an academic “your definition of metalheads is too narrow” to the more metal appropriate “fuck you.”  In the end, it was this comment that started me on a path to study queer metal fans.  As a queer metal fan, I’d never experienced homophobia in club shows or concerts.  In fact, most of my experiences were positive: a fan yelling homophobic slurs carried out of the venue by other fans at an Ozzfest stop, genderqueer fans populating KMFDM and Rammstein concerts, bands fronted by trans singers opening for Ministry.  But this quote always stuck in my mind.  As I wondered if I was the “fugly dyke mongoloid” referenced (after all, maybe this was that guy who got carried out of Ozzfest!), I also wondered what metal performers, incidences or stories queer fans remembered as explicitly homophobic.

My survey “Queer Fans of HM” asks who the most homophobic performer, band, or metal event they know of is, and what they remember about that choice.  Here are the top three Most Homophobic in Heavy Metal, as defined by the surveyed queer fans.

3.  Rock Against Homosexuality
In 2008, the album “Smashing Rainbows: Rock Against Homosexuality” was released by Fetch the Rope records.  Though not well known in most metal circles, this album was a collection of songs advocating violence against queer folks and racial minorities, featuring slurs and threats.  The album’s producers categorized the songs featured as hardcore, black and death metal.  Created by supporters of the White Power movement in the United States, “Smashing Rainbows” remains for sale through White Power online sales.  After protests from the GLBTQ community in the United States, the album was pulled from Amazon sales in September 2011.  Songs on the album include People Haters “Smear the Queer,” The Raunchous Brothers “Dying In Pain,” and a song entitled “Kill the Faggots” by Evil Incarnate, featuring these lyrics:

Ni**er lovers and fa**ots
Bullets in your head
Ni**er lovers and fa**ots
Now your [sic] dead

Bombing the fa**ots into oblivion
Bombing the ni**ers into oblivion

This album also features the song “Ghosts of Flossenberg” by Arghoslent.  Flossenberg, one of the most violent and horrific concentration camps of Nazi Germany, operated from 1938 to 1945; nearly 100,000 people were imprisoned there, and 30,000 were murdered at the camp.  In this song by Arghoslent, the songwriters link Judaism with sodomy and homosexuality, and suggest that the deaths at Flossenberg were just.  “May homophobia outlive us all,” is the last line of the song.  With the recent hate crime against Sikh faithful in Wisconsin, the old debate about perceived connections between hate and heavy metal has resurfaced.  How should we metal fans respond to that debate?  Should we, given recordings such as “Smashing Rainbows,” be more critical of the connections between metal and hate?

2.            Varg Vikernes and Faust
Varg Vikernes, who performed in the Norwegian metal bands Mayhem and Burzum, was sentenced to prison in 1993 for the murder of fellow Mayhem member Euronymous and the destruction of four historic churches by arson.  He’s been discussed, criticized, vilified and otherwise featured in several books (including the influential Lords of Chaos), and may be best known to mainstream America for his appearance in the Sam Dunn documentary Metal: A Headbanger’s Journey.   While Vikernes is well known for his outspokenness about the Christian church, he is not as well-known for homophobic comments or actions.  So why is Varg considered one of the most homophobic metal performers by queer fans?

There appear to be two causes for this apparent confusion.  First, from prison Vikernes suggested that Euronymous was gay (and a Communist) and that was one of the reasons Vikernes killed him.  As other scholars have pointed out, however, Norwegian black metal bands are dependent upon their pose as ultra-right, eviler-than-thou performers.  Euronymous never “came out” or otherwise suggested he was gay- the only evidence seems to be Vikernes’ word.  In fact, several interviews and scholars have suggested that the killing was more than likely over band decisions, power, fame and income.  But queer fans overwhelmingly identify Vikernes as someone who killed a gay man.  Why?

The fans are confusing Vikernes with Faust.

Bård Guldvik “Faust” Eithun was the drummer for Emperor, another formative Norwegian metal band.  Faust was convicted in 1992 of murder for the death of Magne Andreassen, an openly gay man living in Lillehammer, Norway.  According to documents, Andreassen approached Faust, asked him to go for a walk, and Andreassen never returned.  Andreassen’s body was discovered the next day with 37 stab wounds and massive head injuries from repeated kicking.  Faust was sentenced to fourteen years, and was released in 2003 after serving nine years of his sentence.  He has since returned to the metal scene, working in various projects.  As Keith Kahn-Harris has discussed on his blog “Metal Jew,” while Faust has discussed his time in prison, he’s made little if any comments about his homophobic crime.

Why are Varg and Faust so easily confused?  You could argue that they share a genre, a sound, perhaps even a style and culture.  But the confusion stems from the fact that neither man cares to deny or confirm information needed to clarify.  Varg has no interest in clarifying why he killed Euronymous, and even further, there is no point in doing so.  The aura of evil arsonist and murderer of closeted gay men is one that Varg wouldn’t deny because it feeds his fame and his pose.  Faust, who has returned to metal and has offered very few statements exhibiting regret about his actions, also has no interest in saying some sort of confession/rebuke of Varg.  Can you imagine Faust giving a press statement that read “He didn’t kill a gay man, I did!”  Again, such a statement serves no purpose other than demystifying the pose of the uber-evil black metal musician.

Interestingly, in 2008 Gaahl, the lead singer of the Norwegian black metal band Gorgoroth, came out as a gay man.  He won the “Gay Person of the Year” award at the Bergen Gay Galla in 2010.  In this 2008 interview, Gaahl was asked if being out would change the perception of him and his music.

“I guess it will even out the score in a way,” replied Gaahl.  In online forums, a new question began to appear: Gaahl versus Varg, who wins?  While the answers are mixed, Faust isn’t even in the contest.

1.            Kerry King
It was nearly unanimous.  Over 70% of the queer fans surveyed identified Kerry King of Slayer as the most homophobic performer they could identify.  In fact, many had stories they’d overheard, or events they’d witnessed, about King’s homophobia.  One story suggests that King walked off stage when given a cup of ice at a show.  The ice machine was broken, so the bar manager went next door to the gay dance club to borrow a cup of ice for King.  Others pointed out quotes by King in the press suggesting his homophobic attitudes.  King has been photographed with a swastika on his guitar, and has used gay slurs in interviews and on stage.  Most recently, in this interview, King discussed Slayer’s search for a new drummer.  It seems, Adrian Erlandssen (formerly of At The Gates and Cradle of Filth) “hits like a fag.”  According to King “This is Slayer; people expect more.”

What makes Kerry King’s nearly unanimous appearance as THE homophobic HM performer according to queer fans most interesting is not the slurs themselves.  What makes it important is the fact that King is also the performer most surrounded by a “he must be gay” whisper campaign.   Thousands of blogs, metal mag online comments, and chat room discussions have posted talk about the possibility that King is a closeted gay man.  In the online pop culture site Urban Dictionary, “bear” is defined as “A good example of what a typical bear looks like would be Kerry King of slayer.”  In a further sample sentence:  “Dude, Kerry King is such a freakin’ bear!”  No doubt some of this discussion is meant to create a discourse that opposes King’s homophobic stance.  After all, what better way to chastise a homophobic public figure than loudly suggest the homophobic is nothing more than a closeted queer?  Or as we say, “You know the biggest homophobes are the biggest queers!”  Another way to think about this position is in the song “Hats Off To Halford,” by the musician and performance artist Atom and His Package.  In his ode to Rob Halford, Atom wrote:  “Oh, I wish everyone in heavy metal would be homosexual, if not only to make those nazi fuckin’ pricks in Slayer, a little uncomfortable.”  This kind of protest is a political one, one where queer metal fans suggest King is gay in order to upset his position as a king of metal, and to turn his homophobia around so that it becomes a discursive weapon.

This pseudo-outing of Kerry King could be something else though.  What if, as we turn our understanding of metal subculture away from the heteronormative and consider the queer gaze, Kerry King becomes an object of desire?  In what Foucault termed scopophilia, the queer fans obsessively look at Kerry King so that he becomes not just a subject of derision, but an object of desire.  According to Foucault, such scopohilia was compelled by “an unacknowledged search for illicit pleasure and a desire which cannot be fulfilled” (Hall, Representations, 268).  Certainly no queer desire for Kerry King will be fulfilled; in fact, even to say so suggests that one may seek pleasure from a subject that professes only hatred.  But that, in effect, is scopophilia:  the pleasure that is sought, gazed upon, even stared at in fascination (or disgust), and still desired.  Consider, for example, a quote from Brian Cook, former bassist for the metal band Botch.  In a 2006 article in Decibel magazine on queers in heavy metal, Cook puts this voyeuristic desire in Kerry King terms.  “I definitely prefer the straight edge, shaved-head jock types,” said Cook, “Then again, I do like the fat-dude-with-a-big-beard-and-tattoos look.  Kerry King is totally hot.  He’d probably kick my ass for saying that.”  Perhaps queer fans of King feel the same way: both attracted and threatened, but still watching.


5 thoughts on “Metal Homophobia and the Queer Fan

  1. WoW!!
    Metal music being used as a medium to spread homophobia is something I had never thought about before…. It is easy to find comfort in oblivion but there are truths that can not be denied ,That some humans hate for the sake of hate. This has been eye opening and thank you, for reminding me to pay attention, to see beyond the safety of my own experiences and into the space homophobia inhabits in everyone’s life. Blind eye tolerance and inaction enable hatemongers concocting and spreading their poisonous idea to also feel justified and unchecked in perpetration of crimes against the persons who have become objects of their hate. If it were not for the diligence of the determined staying conscious in sweeping this filth from all corners and reminding us that hate is dangerous no matter where it lives, zero tolerance would remain a muddied line that some people have no hesitation in crossing.The fans of Metal music must also protect their beloved genera from those who warp it into nothing short of a personal soapbox where they feel safe to spew their messages hate.

  2. According to Turn It Down, a group that researches primarily racist hate music on the internet, all the bands on “Smashing Rainbows” are “known white power bands.” You’ll find that “Smashing Rainbows: Rock Against Homosexuality” is offered for sale on Neo-Nazi, National Socialist Movement (NSM) and other white supremacist websites.

    There is a lot of information about “Smashing Rainbows: Rock Against Homosexuality” at

    • Thanks for your reply Sam. I am aware of the presence of “Smashing Rainbows” on a few watch lists for racism and other white power and nativist movements. From my perspective, we need to be just as vigilant about discussing such compilations in GLBTQ+ organizations. Thanks for the link! Something to model perhaps. . .

  3. “Here Me Now
    Words I Vow
    NO Fucking Regrets
    Fuck these chains
    No goddamn slave
    I will be different
    I’ll stand here defiantly
    My Middle finger Raised
    Fuck your prejudice” – Machine Head

    This is an important subject for me personally because it’s the music I love and the music that taught me not to care what anyone said about my sexuality.

    Unfortunately I felt that this entry was more of a smear about specific individuals based on rumours that may or may not be true.

    A couple of issues that I think need talking about: Is homophobia inherent to metal music or is homophobia among metal heads a symptom of other factors? It’s possible that Heavy Metal does have some inherent traits that could give way to homophobia. The musicians and audience are predominantly male and its lyrics and imagery have tended to idolize traits typically associated with masculinity (war, strength, womanizing etc.). On the other hand the image of the metal head could be seen as an aversion to what the ‘ideal man’ should be’. Is it seen as typically masculine to grow your hair long or wear make up? Furthermore, a lot of the homophobia you talk about could be put down to other issues such as religion and disgusting political ideologies. Burzum is not homophobic because he’s an amazing metal musician and metal did not appeal to him because he is homophobic. He is homophobic because he embraces idiotic neo Nazi belief systems. Same with Dave Mustaine. He is not homophobic as a result of metal culture. He is homophobic because he is a Christian (although rather selective in the Christian beliefs he tends to embrace).

    Secondly, is this a question of generations just progressing? Kerry King does use ignorant and homophobic language, for example (whether that is expressive of a genuine dislike for gay people I don’t know) but I think it was just acceptable for males of his generation to speak that way. I’m amazed you didn’t mention Sebastian Bach who infamously wore a shirt on stage with “AIDS KILLS FAGS” written on it. Again, are these attitudes inherent to metal? I don’t think so. Were they symptomatic of the attitudes that were acceptable twenty years ago? I think that’s more likely. For the record, the metal heads of my generation (I’m twenty) have proven the most open minded and tolerant people with regards to sexuality.

    • Hi Josh, Thanks for your comments on my blog. I’m sorry it has taken so long to reply. I understand your points, and appreciate your perspective. I do want to point out, however, that the list of homophobic performers/performances are not mine, nor did I formulate them. It is based entirely on my survey of self-identified queer fans of heavy metal, 548 individuals in all. I agree that there is a generational shift in play here, but the average age of the survey respondent was not 40s-50s and lending itself to Kerry King, it was 18-25. I’m not suggesting that those on the list are homophobic because of metal, but that they are examples of what I see as the misuse of metal to represent homophobic ideas. Thanks for your thoughts, and for reading the blog.

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